I'm frazzled. First studio shoot, first time with studio lighting, seven performers - martial arts, dance, movement and stage combat, three hours, small hot room. Some satisfaction, some frustration - no time to optimise lighting for the unexpected and no real opportunity to follow up on some potential shots that were a whisker away.
Nice. It's a shame you didn't get some light on the background to blow out the ugly wall/floor transition. It can be sorted in post, but shooting on white is a bastard for that sort of thing. It's one of the reasons I prefer a light grey seamless a lot of the time now. So much more versatile, but loads more forgiving and needs way less jibbling about in LR/PS/whatever.
Although it's hard if your model's moving about a lot, I'd possibly have added a separation light as well, to add a little pop to their sides and hair. A voice-activated lightstand with a snooted or gridded speedlight is enough and if you've got multiple people on-set, you can usually find another pair of hands and tell them to, 'point that there'...
Although it's obvious where you put your key lights, I'd be interested to see any BTS snaps you took.
