Touring cyclists are most likely to encounter Audax through Paris Brest Paris. They’ve been told that somewhere over the rainbow, there’s a land that they dreamed of, once on a lullaby. There are three lands actually, one for cycle-sportifs; the Vedettes. One for dyed in the wool Audaxers; the Randonneurs. And one for Touristes. They overlap, but the biggest territory belongs to those Touristes who take more than 85 hours.
There’s an element of ‘challenge’ in it, but it’s a realiseable project for many. The destination is in itself a journey, and we embark on a series of journeys to get there. Those journeys can present themselves as a series of narratives, and many are driven to relate their stories. I’ve long been interested in travel writing, and accounts of cycle tours have been a rich vein to be mined for inspiration.
Everyone has their favourite form of storytelling, and mine is the length of a magazine feature, between 1,000 and 4,000 words. I like a bit of reflection in what I read, reflection on experience, and a reflection of what I’ve done or might do myself.
Audax might clash with the ‘ethos’ of the tourist in a number of linked senses. The use of pre-determined routes, with time limits, implies repetition and subordination. These militate against the idea of freedom, which many will identify as part of the appeal of touring. Having a minimum speed also creates something of an elitist feel. It sets limits on who can identify with such a project, and who might find inspiration.
There will be many who are capable of Audax speeds, but see a spirit of exclusivity as a barrier. They’ll wonder how Audaxers differ from themselves. The range of participants does increase during qualification for Paris-Brest-Paris , and during preparation for London-Edinburgh-London. Experiencing those rides is akin to a cycle tour. One in which the place you are visiting is both static and mobile.
Encounters on a tour generally happen off the bike, in Audax they are mainly on the bike. At PBP and LEL those encounters can be with the people of 50 nations and more, all keen cyclists.
Those are a few of the ways in which Audax might be presented to touring cyclists with concerns about the underlying ethos. But thinking about such things is reflexive, and it has made me wonder if I should be simply taking off on a tour.
I like the writing of the US rider Kent Peterson, and he covers a lot of the ground I’ve been thinking about.
His LEL 2001 account is topical.
http://www.carsstink.org/peterson/LEL2001.htmlBut there are lots of others.
http://www.carsstink.org/peterson/rando.html