It's interesting how different people respond to the Orrery as an artifact.
Obviously, on account of my involvement, I can't help but see it as a badly-structured software project wrapped up in some prototype hardware and some lovingly-polished wood, but if I squint it becomes a deliberately obfuscated remote cycle computer. If I didn't have the intimate knowledge of exactly how it works, I'm sure like Cudzoziemiec I'd approach it as a puzzle to be decoded
[1].
Barakta, I think, sees it primarily as a box of uncooperative string.
Others focus on the cabinet itself. I saw that briefly before we ruined it with mechanisms, and I rather like the contour effect. Particularly when illuminated by the 'sun', which is the one part of the project that I'm actually satisfied with.
Or the ravens, which you can take days (and a couple of re-writes of the gradient-plotting algorithm) to actually pay attention to.
And of course nobody notices the fan...
[1] Indeed, "Why's it doing that?" was a major part of the development process.