I watched Three Billboards Outside Ebbing, Missouri last weekend. Probably my favourite film since Winter Sleep. For a start, it’s cinema at its most delicious and aesthetically satisfying. I thought I was in for a treat from the left-justified opening credits and cleverly composed shots of the billboards, and it lives up to those early expectations.
There’s much good acting and directing (Red’s physical movement fascinated me throughout, for example), the script is brilliant, and there’s just enough rough edges to make it all the more enchanting.
But it’s hard to explain why this film is so good. I guess it’s got something to do with the story being told so well, with the full range of cinematic tools expertly deployed on the spellbound viewer. It’s not a realistic story or realistically portrayed, and yet hardly any of it is jarring. It’s filled with crude tropes that no-one believes in and yet you don’t blame anyone for that. It’s probably evidence that even today there is no sure-fire method for making a great film. If you apply art you might, with luck, get a great film – but good luck distilling the trick into repeatable steps.
Is this being shown in the UK?